{"id":44,"date":"2022-10-11T23:28:47","date_gmt":"2022-10-11T20:28:47","guid":{"rendered":"http:\/\/www.archiv.org.lv\/upitis\/?page_id=44"},"modified":"2022-11-08T11:27:54","modified_gmt":"2022-11-08T09:27:54","slug":"gramatzimes","status":"publish","type":"page","link":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/gramatzimes\/","title":{"rendered":"Darin\u0101t\u0101s gr\u0101matz\u012bmes"},"content":{"rendered":"\n

Grafikas darbi, ar kuriem P. Up\u012btis guvis pla\u0161u atzin\u012bbu gan Latvij\u0101, gan starptautiski ir mazform\u0101ta darin\u0101jumi – gr\u0101matz\u012bmes.<\/p>\n\n\n\n

\n

Gr\u0101matz\u012bme jeb ekslibris  – no lat\u012b\u0146u j\u0113dziena \u201dex libris\u201d \u2013 \u201dno gr\u0101mat\u0101m\u201d ir neliela form\u0101ta m\u0101ksliniecisks darbs, kas parasti veidots k\u0101d\u0101 no grafikas iespiedtehnik\u0101m un bie\u017ei tiek iel\u012bm\u0113ts gr\u0101matas iek\u0161pus\u0113 uz v\u0101ka vai titullapas un ir gan k\u0101 dekorat\u012bvs elements, gan nor\u0101da gr\u0101matas pieder\u012bbu konkr\u0113tai personai. <\/p>\n<\/blockquote>\n\n\n\n

K\u0101 uzsv\u0113ris pats P. Up\u012btis, gr\u0101matz\u012bmes satura, idejas, kompoz\u012bcijas tap\u0161an\u0101 l\u012bdzdarbojas divi cilv\u0113ki \u2013 m\u0101kslinieks un pas\u016bt\u012bt\u0101js jeb gr\u0101matz\u012bmes adres\u0101ts. Gr\u0101matz\u012bm\u0113 t\u0113loto nosaka vair\u0101ki faktori \u2013 pas\u016bt\u012bt\u0101ja uzv\u0101rds, profesija, aizrau\u0161an\u0101s, intereses, vi\u0146a darb\u012bbas rezult\u0101ti, dz\u012bvesveids, vide utt. (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme<\/em>, raksts par P. Up\u012b\u0161a gr\u0101matz\u012bm\u0113m.) Da\u017ek\u0101rt gr\u0101matz\u012bm\u0113s tiek atveidots konkr\u0113t\u0101s personas portretiskais t\u0113ls, ta\u010du portrets visvair\u0101k domin\u0113 m\u0101kslinieku piemi\u0146as \u2013 \u201din memoriam\u201d gr\u0101matz\u012bm\u0113s. Nereti gr\u0101matz\u012bmes saturu veido tikai m\u0101kslinieka fant\u0101zija, citk\u0101rt tiek piln\u012bb\u0101 \u0146emtas v\u0113r\u0101 vien\u012bgi adres\u0101ta v\u0113lmes. Parasti gr\u0101matz\u012bm\u0113s atspogu\u013cojas da\u017e\u0101di m\u0101kslas stili un novirzieni.<\/p>\n\n\n\n

Gr\u0101matz\u012bme k\u0101 grafikas nozare s\u0101kusi veidoties pirms vair\u0101k nek\u0101 500 gadiem, kokdzeluma tehnik\u0101 \u2013 pirms vair\u0101k nek\u0101 200 gadiem, ta\u010du ekslibriem l\u012bdz\u012bgas, gleznotas vai uz keramikas pl\u0101ksn\u0113m veidotas, pieder\u012bbas z\u012bmes bija sastopamas jau Senaj\u0101 \u0112\u0123ipt\u0113 un As\u012brij\u0101. P. Up\u012btis sav\u0101 rakst\u0101 \u201dPirm\u0101s latvie\u0161u m\u0101ksliniecisk\u0101s gr\u0101matz\u012bmes\u201d (1958) st\u0101sta, ka iespiesto gr\u0101matz\u012bmju priek\u0161te\u010di ir veco rokrakstu titullapu z\u012bm\u0113jumi un ieraksti ar rokraksta \u012bpa\u0161nieka, autora, p\u0101rrakst\u012bt\u0101ja vai z\u012bm\u0113jumu darin\u0101t\u0101ja v\u0101rdu. To sagatavot\u0101ji parasti bija klosteru m\u016bki. <\/p>\n\n\n\n

\u201dL\u012bdz ar gr\u0101matu iespie\u0161anas izgudro\u0161anu s\u0101k pla\u0161\u0101k izplat\u012bties gr\u0101matz\u012bmes. 16. gs. t\u0101s jau darin\u0101ju\u0161i t\u0101di meistari k\u0101 Albrehts D\u012brers (Albrecht D\u00fcrer), L\u016bkass Kr\u0101nahs vec. (Lucas Cranach), Hanss Holbeins jaun. (Hans Holbein) u.c. Tajos laikos gr\u0101matas var\u0113ja ieg\u0101d\u0101ties tikai di\u017ecilt\u012bgi un tur\u012bgi cilv\u0113ki. Tie sav\u0101s gr\u0101mat\u0101s parasti v\u0113l\u0113jas redz\u0113t cilts \u0123erboni kop\u0101 ar v\u0101rdu vai monogramm\u0101m. \u0160\u0101da veida gr\u0101matz\u012bmes m\u0113dz saukt par heraldisk\u0101m. Ilgus gadus galvenok\u0101rt bija sastopamas tikai heraldisk\u0101s gr\u0101matz\u012bmes. V\u0113l\u0101kos laikos gr\u0101matz\u012bm\u0113s redzami jau da\u017e\u0101di att\u0113li. [..] Gr\u0101matz\u012bmju iespie\u0161anas tehnika main\u0101s l\u012bdz ar grafikas tehnikas att\u012bst\u012b\u0161anos. Latvij\u0101 vec\u0101ko iespiesto un dat\u0113to gr\u0101matz\u012bmi gatavojis 1604. gad\u0101 v\u0101cu m\u0101kslinieks Heinrihs Roms R\u012bgas patricie\u0161a Horsta \u0123imenei. Pirm\u0101s iespiest\u0101s gr\u0101matz\u012bmes Latvij\u0101 pieder\u0113ju\u0161as privili\u0123\u0113tajiem v\u0101cu taut\u012bbas p\u0101rst\u0101vjiem. Taj\u0101s pa liel\u0101kajai da\u013cai redzams \u012bpa\u0161nieka v\u0101rds un rakstur\u012bgs z\u012bm\u0113jums ar \u0123erboni. Ir ar\u012b t\u0101das, kur las\u0101ms k\u0101ds izteiciens vai sentence (visbie\u017e\u0101k lat\u012b\u0146u valod\u0101). Bez tam sastopamas gr\u0101matz\u012bmes, kas veidotas tikai ar teksta pal\u012bdz\u012bbu. 19. gadsimta pirmaj\u0101 pus\u0113 un vid\u016b latvie\u0161iem savu gr\u0101matz\u012bmju v\u0113l nav. Var sastapt tikai bibliot\u0113ku gr\u0101mat\u0101s iel\u012bm\u0113tus uzrakstus, kur izteikts l\u016bgums vai strups atg\u0101din\u0101jums gr\u0101matu saudz\u0113t, k\u0101 ar\u012b visp\u0101r\u0113ji noteikumi las\u012bt\u0101jiem. [..] Tikai 19. gs. otraj\u0101 pus\u0113, kad l\u012bdz ar soci\u0101li ekonomisko apst\u0101k\u013cu izmai\u0146\u0101m rad\u0101s latvie\u0161iem zin\u0101ms kult\u016bras dz\u012bves uzplaukums un veidoj\u0101s pirm\u0101 latvie\u0161u inteli\u0123ence, kuras p\u0101rst\u0101vjiem jau bija savas person\u012bg\u0101s bibliot\u0113kas, s\u0101k pla\u0161\u0101k att\u012bst\u012bties ar\u012b latvie\u0161u gr\u0101matz\u012bmju darin\u0101\u0161ana.\u201d<\/em><\/p>\n\n\n\n

\n
\n

Pirmo latvie\u0161u m\u0101ksliniecisko gr\u0101matz\u012bmi darin\u0101jis Rihards Zari\u0146\u0161 1897. gad\u0101 savai dz\u012bvesbiedrei, zviedru dzied\u0101t\u0101jai Evai Zari\u0146ai (iepriek\u0161 Sundblade). S\u0101kum\u0101 latvie\u0161u m\u0101kslinieki gr\u0101matz\u012bmes izgatavoja gandr\u012bz tikai litogr\u0101fij\u0101 un cinka kli\u0161ej\u0101s, bet v\u0113l\u0101k t\u0101s s\u0101ka iespiest ar\u012b kokdzelum\u0101 un linogriezum\u0101. V\u0113rt\u012bgu sniegumu gr\u0101matz\u012bmju darin\u0101\u0161an\u0101 kokdzelum\u0101 devu\u0161i t\u0101di latvie\u0161u grafi\u0137i k\u0101 J. Pl\u0113pis, O. \u0100bel\u012bte, A. Junkers, P. \u0160terns, P. Up\u012btis u.c.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
Riharda Zari\u0146a darin\u0101t\u0101 gr\u0101matz\u012bme dzivesbiedrei Evai Zari\u0146ai. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Fragments no kino\u017eurn\u0101la “Padomju Latvija” Nr. 22 – Grafi\u0137is P\u0113teris Up\u012btis un vi\u0146a gr\u0101matz\u012bmju kolekcija. Operators Pjatkins Anatolijs. 1987. gads. Avots: Latvijas Valsts kinofotofonodokumentu arh\u012bvs.<\/figcaption><\/figure>\n\n\n\n
\n
\n

Savu pirmo gr\u0101matz\u012bmi P. Up\u012btis darin\u0101ja 1927. gad\u0101 litogr\u0101fijas tehnik\u0101, t\u0101 bija velt\u012bta zob\u0101rstei Elzai Kaudz\u012btei. \u0160aj\u0101 laik\u0101 P. Up\u012btis m\u0101c\u012bj\u0101s Latvijas M\u0101kslas akad\u0113mij\u0101 un Riharda Zari\u0146a Grafikas meistardarbn\u012bc\u0101 tika dots uzdevums rad\u012bt \u0161\u0101du grafikas darbu. P. Up\u012btis atceras:<\/p>\n\n\n\n

\u201dUzdevums bija litogr\u0101fijas tehnik\u0101 izpild\u012bt gr\u0101matz\u012bmi, vispirms j\u0101izgatavo z\u012bm\u0113jums, ja tas izr\u0101d\u012bjies pie\u0146emams, tad tika izsniegts neliels litogr\u0101fijas akmens. Prof. Zari\u0146\u0161 pats bija pirmklas\u012bgs litogr\u0101fs un as\u0113t\u0101js (ofortists) un vi\u0146a nor\u0101d\u012bjumi bija \u013coti noder\u012bgi un nepiecie\u0161ami. Gr\u0101matz\u012bmei saturu ieteica \u0146emt br\u012bvu p\u0113c pa\u0161a studenta v\u0113lm\u0113m un to gatavot at\u013c\u0101va jebkurai personai ar nelielu piez\u012bmi: \u201dEs ieteiktu da\u017eas personas, kam b\u016btu \u013coti v\u0113lams izgatavot z\u012bmi.\u201d Starp vis\u0101m tika min\u0113ta rakstnieku Kaudz\u012b\u0161u radiniece zob\u0101rste Elza Kaudz\u012bte. Man iepatik\u0101s \u201dkaudz\u012b\u0161u\u201d t\u0113ma un, kad par\u0101d\u012bju profesoram uzmetumu z\u012bmei, vi\u0146\u0161 to akcept\u0113ja. T\u0101 1927. gad\u0101 rad\u0101s litogr\u0101fij\u0101 (vien\u012bg\u0101) un pirm\u0101 mana gr\u0101matz\u012bme. Akad\u0113miju beidzot, 1932. gad\u0101 biju izgatavojis pavisam 4 gr\u0101matz\u012bmes \u2013 p\u0113d\u0113j\u0101s 3 iespiestas no cinka kli\u0161ej\u0101m.\u201d<\/em> (P. Up\u012b\u0161a atmi\u0146as, 1981. gads<\/em>)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Elzai Kaudz\u012btei. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Elzai Kaudz\u012btei. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Min\u0113t\u0101s gr\u0101matz\u012bmes ir otra gr\u0101matz\u012bme Elzai Kaudz\u012btei un divas gr\u0101matz\u012bmes literat\u016brkriti\u0137im un \u017eurn\u0101listam J\u0101nim Akmens. 1933. gad\u0101 tapa gr\u0101matz\u012bme rakstniekiem Austrai un J\u0101nim \u0160irma\u0146iem, 1939. gad\u0101 divas gr\u0101matz\u012bmes m\u0101ksliniecei un skolot\u0101jai Teklai Nat\u0101lijai Gavars. 1940. gad\u0101 gr\u0101matizdev\u0113jam J\u0101nim Rozem P. Up\u012btis kokdzelum\u0101 darin\u0101jis tr\u012bs gr\u0101matz\u012bmes, kur\u0101s t\u0113lotais tie\u0161i atspogu\u013co vi\u0146a profesiju.<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
J\u0101nim Akmens darin\u0101t\u0101 gr\u0101matz\u012bme. 1932. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
J\u0101nim Akmens darin\u0101t\u0101 gr\u0101matz\u012bme. 1932. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Austrai un J\u0101nim \u0160irma\u0146iem darin\u0101t\u0101 gr\u0101matz\u012bme. 1933. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Teklai Nat\u0101lijai Gavars darin\u0101t\u0101 gr\u0101matz\u012bme. 1939. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Teklai Nat\u0101lijai Gavars darin\u0101t\u0101 gr\u0101matz\u012bme. 1939. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Gr\u0101matizdev\u0113jam J\u0101nim Rozem darin\u0101t\u0101s gr\u0101matz\u012bmes, 1940. gads.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012b\u0161a gr\u0101matz\u012bm\u0113s p\u0101rst\u0101v\u0113ti da\u017e\u0101di m\u0101kslas \u017eanri \u2013 lauku un pils\u0113tas ainava, klus\u0101 daba, tematiski mot\u012bvi, portrets, to sint\u0113ze \u013coti daudzveid\u012bg\u0101s vari\u0101cij\u0101s. Da\u017ek\u0101rt uzv\u0101rda asoci\u0101cija att\u0113lota, nevis tie\u0161i atveidojot dabas objektu, putnu, dz\u012bvnieku utt., bet pastarpin\u0101ti, izmantojot tikai k\u0101dus atsevi\u0161\u0137us objekta atrib\u016btus. 1955. gad\u0101 P. Up\u012btis rada gr\u0101matz\u012bmi grafi\u0137ei Dzidrai Ezergailei un, kop\u0161 t\u0101 laika gr\u0101matz\u012bmju darin\u0101\u0161ana kokdzeluma tehnik\u0101 vi\u0146a dai\u013crad\u0113 k\u013cuva nep\u0101rtraukta.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
Dzidrai Ezergailei darin\u0101t\u0101 gr\u0101matz\u012bme. 1955. gads. Avots: LNA_LVA_F1839. <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Katru gadu tapa vair\u0101ki darbi. Diezgan daudziem adres\u0101tiem darin\u0101t\u0101s gr\u0101matz\u012bmes nav tie\u0161i saist\u012btas ne ar uzv\u0101rdu, ne nodarbo\u0161anos, bet ir izt\u0113l\u0113 rad\u012btas, da\u017ek\u0101rt ar\u012b aspr\u0101t\u012bgas, saturiski daudzveid\u012bgas. T\u0101s visbie\u017e\u0101k ir ar simbolisku noz\u012bmi. \u012apa\u0161u gr\u0101matz\u012bmju grupu veido tie darbi, kas darin\u0101ti, respekt\u0113jot gr\u0101matz\u012bmes pas\u016bt\u012bt\u0101ja v\u0113l\u0113\u0161anos. \u0160\u0101du gr\u0101matz\u012bmju skaits \u012bpa\u0161i pieauga, sadarbojoties ar da\u017e\u0101du valstu ekslibristiem un kolekcion\u0101riem, kas v\u0113l\u0113j\u0101s ieg\u016bt P. Up\u012b\u0161a izgatavot\u0101s gr\u0101matz\u012bmes. P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmes \u0123imenes locek\u013ciem, radiem, draugiem, pazi\u0146\u0101m, kol\u0113\u0123iem, kult\u016bras darbiniekiem, kolekcion\u0101riem u.c. Kopum\u0101 vi\u0146a dz\u012bves laik\u0101 tapu\u0161as 712 gr\u0101matz\u012bmes. K\u0101 to atzinis pats P. Up\u012btis, \u0161\u0101da veida darbi neesot ar\u012b tik laikietilp\u012bgi, k\u0101 liel\u0101ka form\u0101ta grafikas: <\/p>\n\n\n\n

\u201dLiel\u0101kam grafikas darbam (pie tam \u0146emot v\u0113r\u0101 kokdzeluma materi\u0101lu un \u012bpatn\u012bbas) ne vienm\u0113r pietiek laika. Bet gr\u0101matz\u012bmei vienm\u0113r to var atrast. T\u0101pat k\u0101 pianistam katru dienu j\u0101vingrin\u0101s, lai nezaud\u0113tu formu, meistar\u012bbu, ar\u012b grafi\u0137im regul\u0101ri j\u0101patur rok\u0101 dzelis. Ja k\u0101du ned\u0113\u013cu nestr\u0101d\u0101ju, da\u017ereiz \u0161\u0137iet, ka viss j\u0101s\u0101k no gala.\u201d <\/em>(Zeile P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme.<\/em>)<\/p>\n\n\n\n

Daudz gr\u0101matz\u012bmju P. Up\u012btis ir velt\u012bjis latvie\u0161u m\u0101ksliniekiem, rakstniekiem, aktieriem u.c. kult\u016bras darbiniekiem. Taj\u0101s visbie\u017e\u0101k tiek saist\u012bts uzv\u0101rds un profesija. K\u0101 piem\u0113rus var min\u0113t 1957. gad\u0101 gleznot\u0101jam K\u0101rlim Baltgailim tapu\u0161o gr\u0101matz\u012bmi, kur\u0101 att\u0113lots gailis un m\u0101kslinieka piederumi, 1958. gada gr\u0101matz\u012bmi gleznot\u0101jam Eduardam Kalni\u0146am, kur\u0101 redzams kalns un m\u0101kslinieka darbar\u012bki, 1960. gad\u0101 \u2013 gleznot\u0101jam Arv\u012bdam Eglem rad\u012bto, kur\u0101 t\u0113lota egle un ar\u012b m\u0101kslinieka piederumi. Gr\u0101matz\u012bmes darin\u0101tas ar\u012b latvie\u0161u rakstniekiem un dzejniekiem, piem\u0113ram, J\u0101nim Sudrabkalnam 1964. gad\u0101, Imantam Ziedonim 1971. gad\u0101, K\u0101rlim Skalbem 1979. gad\u0101 (in memoriam<\/em> gr\u0101matz\u012bme) u.c; aktieriem K\u0101rlim Sebrim (1981), Mirdzai Martinsonei un M\u0101rti\u0146am V\u0113rdi\u0146am (1979) u.c.; m\u0101kslas zin\u0101tniekiem Genovevai Tidomanei \u2013 1969. gad\u0101, Tatjanai Ka\u010dalovai, Romim B\u0113mam \u2013 1973. gad\u0101. Min\u0113taj\u0101s gr\u0101matz\u012bm\u0113s galveno uzsvaru m\u0101kslinieks licis tie\u0161i uz \u0161o personu profesion\u0101lo darb\u012bbu, nereti sasaistot to ar\u012b ar citiem elementiem.<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
K. Baltgailim darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Ed. Kalni\u0146am darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
A. Eglem darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
J. Sudrabkalnam darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
I. Ziedonim darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
K. Skalbem darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
K. Sebrim darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
M. Martinsonei un M. V\u0113rdi\u0146am darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
G. Tidomanei darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
T. Ka\u010dalovai darin\u0101t\u0101 gr\u0101mtz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
R. B\u0113mam darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

1977. gad\u0101 laikrakst\u0101 \u201dPadomju Jaunatne\u201d rakstnieks, literat\u016brzin\u0101tnieks un bibliogr\u0101fs Valdem\u0101rs Anc\u012btis raksta: <\/p>\n\n\n\n

\n
\n

\u201dProfesors P\u0113teris Up\u012bts m\u0113dz teikt, ka ekslibri esot t\u0101 m\u0101kslas nozare, kur\u0101 ar mazumu var sag\u0101d\u0101t lielu prieku. Piederu pie tiem, kuriem m\u0101kslinieks \u0161o lielo prieku sag\u0101d\u0101jis. 1971. gada vasar\u0101 glu\u017ei negaidot sa\u0146\u0113mu no vi\u0146a man velt\u012btu ekslibri. Atv\u0113rt\u0101 gai\u013ca \u0101bece var\u0113ja nor\u0101d\u012bt uz manu interesi par b\u0113rnu literat\u016bru, no malkas klu\u010da pagatavotais sols un taj\u0101 iestiprin\u0101tais skalturis \u2013 uz t\u0101du pa\u0161u interesi par v\u0113sturi. Bet pati skala gaisma un gailis \u013cauj, ja vien gribam, dom\u0101t ar\u012b par v\u0113l dzi\u013c\u0101k tulkojamiem simboliem, par tautas kult\u016bras att\u012bst\u012bbas gait\u0101m. Rau, cik ietilp\u012bgs var b\u016bt t\u0101ds apjom\u0101 niec\u012bgs darbi\u0146\u0161!\u201d<\/em> (Anc\u012btis V. Prieka \u0137\u0113d\u012bte. Padomju Jaunatne,   1977. gada 3. apr\u012blis, Nr. 65.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gramatz\u012bme V. Anc\u012btim, 1971. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Ar\u012b v\u0113stul\u0113 P. Up\u012btim V. Anc\u012btis atz\u012bst, ka gr\u0101matz\u012bme vi\u0146am pat\u012bk: \u201d\u2026J\u016bs tie\u0161\u0101m esat lieliski uzmin\u0113jis un pateicis to, kas man\u0101m liter\u0101r\u0101m interes\u0113m rakstur\u012bgs \u2013 gan par gr\u0101matu visp\u0101r, gan tautas v\u0113sturi, gan b\u0113rnu literat\u016bru\u2026\u201d<\/em> (1971. gada 4. j\u016blij\u0101).<\/p>\n\n\n\n

1979. gada 20. febru\u0101r\u012b latvie\u0161u valodas un literat\u016bras skolot\u0101ja Sta\u0146islava B\u0113rzi\u0146a raksta v\u0113stul\u0113 P. Up\u012btim: <\/p>\n\n\n\n

\u201dV\u0113l arvien nevaru notic\u0113t savai laimei, ka J\u016bs apsol\u012bj\u0101t izgatavot man gr\u0101matz\u012bmi. Divus gadus nevar\u0113ju sa\u0146emt drosmi J\u016bs uzrun\u0101t. Str\u0101d\u0101ju vakara vidusskol\u0101 par latvie\u0161u valodas un literat\u016bras skolot\u0101ju, Jau sen v\u0101cu izgriezumus no laikrakstiem un \u017eurn\u0101liem, bukletus un citus materi\u0101lus par gr\u0101matz\u012bm\u0113m un regul\u0101ri ar t\u0101m iepaz\u012bstinu savus audz\u0113k\u0146us. [..] Ko es v\u0113l\u0113tos redz\u0113t gr\u0101matz\u012bm\u0113? Tur var\u0113tu b\u016bt maz kompoz\u012bcijas elementu: atv\u0113rta gr\u0101mata, d\u0101lijas vai gladiolas \u2013 rudens simbols, jauna darba c\u0113liena s\u0101kums, sve\u010dturis ar dego\u0161u sveci, kas it k\u0101 atainotu m\u016bsu darba j\u0113gu \u2013 c\u012b\u0146u par gaismu cilv\u0113ku dv\u0113sel\u0113s. Es izt\u0113lojos, ka gr\u0101matz\u012bme paud\u012bs mana m\u012b\u013c\u0101k\u0101 rakstnieka R\u016bdolfa Blauma\u0146a domu: \u201dEs dz\u012bvo\u0161u ar to labo, ko tev esmu m\u0101c\u012bjis.\u201d Man m\u012b\u013ca ar\u012b veclaic\u012bga Latgales lauku ainava, esmu tur dzimusi un uzaugusi. Pat\u012bk ce\u013cot, visvair\u0101k pa Latviju. Priec\u0101\u0161os gan par pirmo, gan otro variantu, kuru nu J\u016bs izv\u0113l\u0113sieties. Tekst\u0101 grib\u0113tu \u2013 Ex libris, S. B\u0113rzi\u0146a.\u201d <\/em><\/p>\n\n\n\n

\n
\n

P. Up\u012btis vi\u0146as v\u0113lmes izpild\u012bjis un gr\u0101matz\u012bmes noform\u0113jum\u0101 redzams gan R\u016bdolfa Blauma\u0146a portrets, gan S. B\u0113rzi\u0146as min\u0113tais cit\u0101ts, gan d\u0101lijas, gr\u0101matas un svece. <\/p>\n\n\n\n

1980. gada 6. august\u0101 S. B\u0113rzi\u0146a izteikusi v\u0113l vienu l\u016bgumu P. Up\u012btim izgatavot vi\u0146ai gr\u0101matz\u012bmi:<\/p>\n\n\n\n

\u201dEs \u013coti v\u0113l\u0113tos v\u0113l vienu gr\u0101matz\u012bmi, kur\u0101 b\u016btu izmantota k\u0101da ilustr\u0101cija no J\u0101\u0146a Jaunsudrabi\u0146a gr\u0101matas \u201dAr mak\u0161\u0137eri\u201d. Kura? Vienalga, t\u0101s visas ir \u013coti jaukas. Vai J\u016bs var\u0113siet manu l\u016bgumu izpild\u012bt? Ja ne, l\u016bdzu, ne\u0146emiet \u013caun\u0101!\u201d<\/em> Ar\u012b \u0161o l\u016bgumu P. Up\u012btis izpild\u012bjis.<\/p>\n<\/div>\n<\/div>\n\n\n\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes S. B\u0113rzi\u0146ai.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

P. Up\u012btis izgatavojis gr\u0101matz\u012bmes ar\u012b sev, kur\u0101s v\u0113rojams vi\u0146a profesijai rakstur\u012bgais, un saviem \u0123imenes locek\u013ciem \u2013 sievai Verai Up\u012btei, kurai tapu\u0161as divas gr\u0101matz\u012bmes 1960. gad\u0101, d\u0113lam Andrim Up\u012btim 1971. gad\u0101 u.c.<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a sev darin\u0101t\u0101 gr\u0101matz\u012bme, 1958. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a sev darin\u0101t\u0101 gr\u0101matz\u012bme, 1959. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Verai Up\u012btei darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Verai Up\u012btei darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Andrim Up\u012btim darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

I. Grase sav\u0101 rakst\u0101 \u201dMaz\u0101s formas meistari\u201d 1978. gad\u0101 analiz\u0113jusi P. Up\u012b\u0161a dai\u013cradi, uzsverot, ka \u201dvi\u0146a gr\u0101matz\u012bmes veidotas k\u0101 nelielas grafiskas glezni\u0146as. Meistar\u012bgs ir \u0161\u012bs formas piepild\u012bjums, balto un melno laukumu sam\u0113rs \u2013 darb\u0101 nav tuk\u0161u vietu, teksts dabiski sapl\u016bst ar att\u0113lu, t\u0113li skaidri un lakoniski, kompoz\u012bcija izsvarota. Kaut ar\u012b katra gr\u0101matz\u012bme ir bag\u0101t\u012bgi piepild\u012bta, taj\u0101 nej\u016bt saraibin\u0101jumu, jo visa t\u0113lu sist\u0113ma lo\u0123iski apvienota. Meistaram rakstur\u012bga po\u0113tiska, sp\u0113c\u012bga dabas lirika, ko pau\u017e spilgtie ainavas elementi. Kop\u0113jo noska\u0146u papildina humors. T\u0101das ir gr\u0101matz\u012bmes Velgai Up\u012btei ar p\u016bces mot\u012bviem, Antonam \u0100boli\u0146am, Voldem\u0101ram Tilti\u0146am ar aspr\u0101t\u012bgu uzv\u0101rdu apsp\u0113li un daudzas citas.\u201d<\/em> (Grase I. Maz\u0101s formas meistari. R\u012bgas Balss, 1978. gada 17. marts.)<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
Velgai Up\u012btei darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Antonam \u0100boli\u0146am darin\u0101t\u0101 gr\u0101matz\u012bme, 1977. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Voldem\u0101ram Tilti\u0146am darin\u0101t\u0101 gr\u0101matz\u012bme. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

L\u012bdz ar P. Up\u012b\u0161a dal\u012bbu starptautiskajos ekslibristu kongresos (s\u0101kot ar 1961. gadu Leipcig\u0101 (V\u0101cija)), kas ik p\u0113c diviem gadiem notiek da\u017e\u0101d\u0101s Eiropas pils\u0113t\u0101s, un kuru laik\u0101 tiek r\u012bkotas pla\u0161as gr\u0101matz\u012bmju izst\u0101des, veidoj\u0101s personiski kontakti ar da\u017e\u0101du valstu m\u0101ksliniekiem, kult\u016bras darbiniekiem, kuriem P. Up\u012btis ar\u012b darin\u0101jis gr\u0101matz\u012bmes. S\u0101k\u0101s savstarp\u0113ja gr\u0101matz\u012bmju apmai\u0146a (ietverot ar pla\u0161u saraksti ar \u0161\u012bm person\u0101m), kas \u013c\u0101va P. Up\u012btim gadu gait\u0101 izveidot iev\u0113rojamu gr\u0101matz\u012bmju kolekciju. Kontakti ar \u0101rzemju m\u0101ksliniekiem veidoj\u0101s ar\u012b citos P. Up\u012b\u0161a braucienos, piem\u0113ram, 1958. gad\u0101, apce\u013cojot Norv\u0113\u0123iju, vi\u0146\u0161 iepazin\u0101s ar Thor Schyberg<\/em>, kur\u0161 uzrakst\u012bjis tr\u012bs gr\u0101matas par norv\u0113\u0123u ekslibristiem un kuram pieder viena no liel\u0101kaj\u0101m gr\u0101matz\u012bmju kolekcij\u0101m \u2013 ap 40 t\u016bksto\u0161i vien\u012bbu. S\u0101koties sarakstei, vi\u0146\u0161 ats\u016bt\u012bjis da\u017eas gr\u0101matas par norv\u0113\u0123u grafiku un l\u016bdzis P. Up\u012bti izgatavot vi\u0146am gr\u0101matz\u012bmi, neizvirzot nek\u0101dus tematiskus nosac\u012bjumus. T. Schyberg <\/em>str\u0101d\u0101jis firm\u0101, kuras logo ir zirga galva uz j\u016bras fona. \u0160\u012b bija pirm\u0101 P. Up\u012b\u0161a \u0101rzemniekam darin\u0101t\u0101 gr\u0101matz\u012bme. T\u0101 tapa 1961. gad\u0101. Taj\u0101 redzama bangojo\u0161a j\u016bra, augsta klints, no vi\u013c\u0146iem rodas zirgu galv\u0101m l\u012bdz\u012bgi veidoli. P. Up\u012btis ce\u013c\u0101 no Bergenas uz Tronheimu skic\u0113jis klintis, \u0161\u0113ras, da\u017eas klintis pat atg\u0101din\u0101ju\u0161as cilv\u0113ku t\u0113lus. \u0160ie mot\u012bvi p\u0101rtapu\u0161i v\u0113l div\u0101s gr\u0101matz\u012bm\u0113s T. Schyberg<\/em> 1964. gad\u0101.<\/p>\n\n\n\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Thor Schyberg<\/em>.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

P. Zeile sav\u0101 rakst\u0101 par P. Up\u012b\u0161a darin\u0101taj\u0101m gr\u0101matz\u012bm\u0113m \u201dGr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme\u201d \u0161aj\u0101s gr\u0101matz\u012bm\u0113s redzamos t\u0113lus sal\u012bdzina ar Lieldienu salas skulpt\u016br\u0101m. (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme.<\/em>) 1964. gada 30. j\u016blij\u0101 P. Up\u012btis v\u0113stul\u0113 (saglab\u0101jies v\u0113stules melnraksts) T. Schyberg<\/em> raksta: <\/p>\n\n\n\n

\u201dPirms do\u0161an\u0101s atva\u013cin\u0101jum\u0101, es izmantoju laiku un izveidoju jaunu J\u016bsu gr\u0101matz\u012bmes variantu, kur\u0101 b\u016bs redzami abi J\u016bsu v\u0101rdi \u2013 \u201cThor\u201d un \u201dBj\u00f8rn\u201d. Nezinu, vai \u0161\u012b gr\u0101matz\u012bme b\u016bs l\u012bdzv\u0113rt\u012bga iepriek\u0161\u0113jai.\u201d <\/em><\/p>\n\n\n\n

1964. gada 1. septembr\u012b sa\u0146emta atbilde: \u201dEsmu \u013coti pateic\u012bgs par sava ekslibra jauno versiju. Priec\u0101jos, ka esat atradis labu simbolu senaj\u0101 skandin\u0101vu valod\u0101.\u201d<\/em> <\/p>\n\n\n\n

Turpm\u0101kaj\u0101 sarakst\u0113 P. Up\u012btis nor\u0101da uz nepiln\u012bb\u0101m sav\u0101 darb\u0101, 1964. gada 5. oktobr\u012b rakstot (saglab\u0101jies v\u0113stules melnraksts): \u201dEsmu gandar\u012bts, ka p\u0113d\u0113j\u0101 Jums izveidot\u0101 gr\u0101matz\u012bme J\u016bs apmierina, lai gan man pa\u0161am ir iebildumi pret kli\u0161ejas izpildi. Tur ir defekti, kas radu\u0161ies slikt\u0101s koksnes kvalit\u0101tes d\u0113\u013c. Kad man b\u016bs vair\u0101k laika, es v\u0113los izveidot jaunu kli\u0161eju.\u201d<\/em> <\/p>\n\n\n\n

Ta\u010du T. Schyberg<\/em> to neuzskat\u012bja par b\u016btisku probl\u0113mu: <\/p>\n\n\n\n

\n
\n

\u201dLiels paldies par J\u016bsu v\u0113stuli un p\u0113d\u0113jo man darin\u0101to gr\u0101matz\u012bmi. J\u016bs vienm\u0113r gribat lab\u0101k, bet nevajag tais\u012bt jaunu kli\u0161eju. Es esmu \u013coti apmierin\u0101ts ar rezult\u0101tu.\u201d<\/em> (1964. gada 12. oktobris, tulk. no v\u0101cu val.) 1972. gad\u0101 tapa gr\u0101matz\u012bme ar\u012b T. Schyberg<\/em> dz\u012bvesbiedrei Bergljot Schyberg<\/em>. Taj\u0101 uz kalnu fona redzams sievietes t\u0113ls.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

1964. gad\u0101 tika izveidota gr\u0101matz\u012bme Oslo gidei Signy Berentzen<\/em>, kur\u0101 redzama Norv\u0113\u0123ijas lauku ainava. Ar\u012b vienam no liel\u0101kajiem gr\u0101matz\u012bmju kolekcion\u0101riem Norv\u0113\u0123ij\u0101 Thor Skullerud<\/em> 1966. gad\u0101 P. Up\u012btis darin\u0101jis izteiksm\u012bgas kompoz\u012bcijas gr\u0101matz\u012bmi ar tipisku Norv\u0113\u0123ijas ainavu \u2013 kalni, fjords, koka bazn\u012bca, m\u0101jas. Kolekcion\u0101ram gr\u0101matz\u012bme patikusi, to vi\u0146\u0161 apliecin\u0101jis ar\u012b v\u0113stul\u0113 P. Up\u012btim 1966. gada 3. novembr\u012b:<\/p>\n\n\n\n

\u201dLiels paldies par J\u016bsu jauko v\u0113stuli un gr\u0101matz\u012bmi, kuru man izveidoj\u0101t. Esmu \u013coti pateic\u012bgs. Es redzu, ka t\u0113lota Norv\u0113\u0123ijas ainava ar st\u0101vkoka bazn\u012bcu, kalniem un fjordiem. Es to tie\u0161\u0101m \u013coti nov\u0113rt\u0113ju.\u201d<\/em><\/p>\n\n\n\n

Atbildes v\u0113stul\u0113 1966. gada 1. decembr\u012b P. Up\u012btis rakst\u012bjis (saglab\u0101jies v\u0113stules melnraksts): \u201dJ\u016bsu atzi\u0146a un apmierin\u0101jums par z\u012bmi ir man vispiln\u012bg\u0101kais honor\u0101rs.\u201d <\/em>(tulk. no ang\u013cu val.)<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Bergljot Schyberg<\/em>. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Signy Berentzen<\/em>, 1964. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Thor Skullerud<\/em>, 1966. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

            No T. Schyberg<\/em> fran\u010du literat\u016bras profesors, dzejnieks, gr\u0101matz\u012bmju kolekcion\u0101rs Paul Pfister<\/em> uzzin\u0101jis, ka Latvij\u0101 darbojas interesants ekslibrists P. Up\u012btis. Ar vi\u0146u P. Up\u012btis ticies 13. Budape\u0161tas (Ung\u0101rija) un 14. Helsing\u0113ras (D\u0101nija) starptautiskajos ekslibristu kongresos. <\/p>\n\n\n\n

\n
\n
\"\"<\/a>
13. starptautiskaj\u0101 ekslibristu kongres\u0101 Budape\u0161t\u0101 1970. gada 6. novembr\u012b. P. Up\u012btis nodod piemi\u0146as velti Andor Semsey. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012btis 13. starptautiskaj\u0101 ekslibristu kongres\u0101 Budape\u0161t\u0101 1970. gada 6. novembr\u012b. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012btis 13. starptautiskaj\u0101 ekslibristu kongres\u0101 Budape\u0161t\u0101 1970. gada 6. novembr\u012b. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u0160aj\u0101 laik\u0101 P. Up\u012b\u0161a k\u0101 gr\u0101matz\u012bmju meistara v\u0101rds Eirop\u0101 jau bijis paz\u012bstams. P. Pfister<\/em> P. Up\u012btis darin\u0101jis septi\u0146as gr\u0101matz\u012bmes. P. Pfister<\/em> v\u0113stul\u0113 P. Up\u012btim 1964. gada 1. mart\u0101 bija l\u016bdzis, lai vi\u0146\u0161 izgatavo gr\u0101matz\u012bmi ar lauvas mot\u012bvu: <\/p>\n\n\n\n

\u201dJ\u016bs man rakst\u0101t, ka esat ar mieru izveidot man kok\u0101 ekslibri: par to es \u013coti priec\u0101tos, jo biju par to dom\u0101jis jau sen: bet vispirms, protams, j\u0101pajaut\u0101, k\u0101 es var\u0113tu Jums samaks\u0101t honor\u0101ru? Ar prieku dal\u012b\u0161os ar Jums sav\u0101s v\u0113lm\u0113s: grib\u0113tos redz\u0113t bibliot\u0113ku ar daudz\u0101m gr\u0101mat\u0101m un priek\u0161\u0101 vienu lauvu, jo esmu dzimis lauvas gad\u0101, varb\u016bt ar\u012b da\u017eas “lidojo\u0161as lapas”, lai nor\u0101d\u012btu, k\u0101 es ieg\u016bstu savu grafikas kolekciju, k\u0101 ar\u012b zoss spalvu, lai atsauktos uz manu rakst\u012bto.\u201d <\/em>(tulk. no v\u0101cu val.) <\/p>\n\n\n\n

1964. gada 1. apr\u012bl\u012b P. Up\u012btis nos\u016bt\u012bjis P. Pfister<\/em> atbildes v\u0113stuli (saglab\u0101jies v\u0113stules melnraksts): \u201dPar honor\u0101ru nevar b\u016bt ne runas. Kad b\u016b\u0161u izveidojis gr\u0101matz\u012bmi, nos\u016bt\u012b\u0161u to jums. Es esmu pateic\u012bgs par padomiem, kas man nepiecie\u0161ami, lai s\u0101ktu j\u016bsu gr\u0101matz\u012bmes izveido\u0161anu.\u201d<\/em>  <\/p>\n\n\n\n

Saist\u012bb\u0101 ar honor\u0101riem par gr\u0101matz\u012bmju izgatavo\u0161anu, j\u0101min tas, ka P. Up\u012btis bie\u017ei vien, k\u0101 var las\u012bt da\u017e\u0101d\u0101s vi\u0146a sarakst\u0113s, \u0161o jaut\u0101jumu risin\u0101ja mai\u0146as ce\u013c\u0101, darinot gr\u0101matz\u012bmes apmai\u0146\u0101 pret sev interes\u0113jo\u0161\u0101m un kolekcij\u0101 vajadz\u012bg\u0101m liet\u0101m \u2013 da\u017e\u0101diem m\u0101kslas izdevumiem un, protams, gr\u0101matz\u012bm\u0113m, vai ar\u012b pasniedza t\u0101s k\u0101 d\u0101vanu. Str\u0101d\u0101jot pie P. Pfister<\/em> gr\u0101matz\u012bmes, P. Up\u012btis izl\u0113mis izveidot vair\u0101kus variantus, 1964. gada 16. j\u016blij\u0101 vi\u0146\u0161 savas idejas pauda ar\u012b v\u0113stul\u0113 P. Pfister<\/em>: \u201dNos\u016btu Jums otru gr\u0101matz\u012bmes variantu, kur\u0101 lauva ir p\u0101rv\u0113rtusies par leopardu.\u201d<\/em> <\/p>\n\n\n\n

P. Pfister<\/em> iepatik\u0101s abas darin\u0101t\u0101s gr\u0101matz\u012bmes un 1964. gada 24. august\u0101 vi\u0146\u0161 rakst\u012bja: <\/p>\n\n\n\n

\u201dJ\u016bs man liekat izdar\u012bt \u013coti gr\u016btu izv\u0113li, jo man \u013coti pat\u012bk gr\u0101matz\u012bme ar lauvu un man \u013coti pat\u012bk ar\u012b gr\u0101matz\u012bme ar leopardu, t\u0101p\u0113c es tie\u0161\u0101m nezinu, kurai no ab\u0101m man vajadz\u0113tu dot priek\u0161roku..\u201d<\/em> <\/p>\n\n\n\n

L\u012bdz ar to P. Up\u012btis P. Pfister<\/em> v\u0113lmes \u012bstenojis div\u0101s 1964. gad\u0101 tapu\u0161aj\u0101s gr\u0101matz\u012bm\u0113s. Taj\u0101s redzama lauva un gr\u0101matu kaudze. 1968. gad\u0101 Starptautisk\u0101 ekslibristu kongresa Komo (It\u0101lij\u0101) ietvaros P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmi P. Pfister<\/em>, kur\u0101 redzams Dona Kihota t\u0113ls.<\/p>\n\n\n\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes P. Pfister.<\/em> <\/strong>Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Sp\u0101\u0146u rakstnieka Migela de Servantesa (Miguel de Cervantes) <\/em>rad\u012btais Dona Kihota t\u0113ls gr\u0101matz\u012bm\u0113s ir \u013coti izplat\u012bts. Ar\u012b P. Up\u012btis no vair\u0101k\u0101m Eiropas valst\u012bm sa\u0146\u0113mis l\u016bgumus izgatavot gr\u0101matz\u012bmes ar Donu Kihotu. P. Up\u012btis cent\u0101s taj\u0101s pan\u0101kt daudzveid\u012bbu, ietvert katra pas\u016bt\u012bt\u0101ja dz\u012bves videi rakstur\u012bgo u. tml. Po\u013cu filozofs un redaktors Antoni Brosz<\/em> bijis pirmais, kur\u0161 l\u016bdzis P. Up\u012bti vi\u0146am izgatavot gr\u0101matz\u012bmi ar Dona Kihota t\u0113lu, un 1962. gad\u0101 tapa divas gr\u0101matz\u012bmes, kur\u0101s Dons Kihots sava zirga Rosinantes mugur\u0101 t\u0113lots uz gr\u0101matu kalna.<\/p>\n<\/div>\n\n\n\n

\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Antoni Brosz<\/em>, 1962. gads.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Roland Johansson<\/em>, 1965. gads.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Zviedru in\u017eenierim Roland Johansson<\/em> 1965. gad\u0101 P. Up\u012btis darin\u0101jis 2 gr\u0101matz\u012bmes ar Dona Kihota t\u0113lu  – vien\u0101 redzams Dons Kihots sava zirga mugur\u0101, bet otr\u0101 \u2013 Dons Kihots ar rozi vien\u0101 un zobenu otr\u0101 rok\u0101. R. Johansson <\/em>darba dar\u012b\u0161an\u0101s bijis Latvij\u0101, iepazinies ar P. Up\u012b\u0161a dai\u013cradi un l\u016bdzis izgatavot vi\u0146am gr\u0101matz\u012bmi.<\/p>\n<\/div>\n<\/div>\n\n\n\n

1964. gada 8. j\u016bnij\u0101 P. Up\u012btis v\u0113stul\u0113 (saglab\u0101jies t\u0101s melnraksts) R. Johansson<\/em> raksta: <\/p>\n\n\n\n

\u201dIepriecina, ka Jums manas gatavot\u0101s z\u012bmes pat\u012bk. Es neesmu v\u0113l nevienam \u0101rzemniekam gatavojis gr\u0101matz\u012bmi par maksu, jo val\u016btas ierobe\u017eojumi k\u0101 izve\u0161anai un ieve\u0161anai ir sare\u017e\u0123\u012bti, tad honor\u0101ra jaut\u0101jums nekad nav ticis skarts. Esmu priec\u012bgs, ja apmai\u0146as ce\u013c\u0101 es savu kr\u0101jumu varu papildin\u0101t ar jaun\u0101m zviedru m\u0101kslinieku gatavot\u0101m z\u012bm\u0113m. Piekri\u0161anu Jums gatavot z\u012bmi uz\u0146emu labpr\u0101t, tik nevaru noteikt laiku, cik \u0101tri es to var\u0113tu izpild\u012bt, jo esmu aiz\u0146emts darb\u0101 un gr. z\u012bmes gatavoju tik savas patikas p\u0113c va\u013cas br\u012b\u017eos. Bez tam grib\u0113tos tuv\u0101ki zin\u0101t J\u016bsu intere\u0161u loku, profesiju un kas Jums patiktu redz\u0113t att\u0113lotu z\u012bm\u0113? Lai kaut cik br\u012bvi es kompon\u0113tu, tom\u0113r \u013coti pat\u012bkami zin\u0101t pas\u016bt\u012bt\u0101ja v\u0113l\u0113\u0161anos.\u201d<\/em><\/p>\n\n\n\n

1964. gada 17. august\u0101 R. Johansson<\/em> nos\u016bt\u012bjis atbildi: <\/p>\n\n\n\n

\u201dEsmu \u013coti priec\u012bgs par J\u016bsu apsol\u012bjumu izgatavot man gr\u0101matz\u012bmi\u2026 J\u016bsu priek\u0161likums apmain\u012bt manu gr\u0101matz\u012bmi pret k\u0101du zviedru m\u0101kslinieka veidotu izklaus\u0101s labi un cen\u0161os sazin\u0101ties ar m\u0101ksliniekiem cik dr\u012bz vien iesp\u0113jams. [..] Mana profesija ir biroja mened\u017eeris celtniec\u012bbas firm\u0101, kas veido ce\u013cus, b\u016bv\u0113 tiltus, r\u016bpn\u012bcas u.c. Interes\u0113jos par da\u017e\u0101d\u0101m liet\u0101m, piem., man pat\u012bk krievu klasisk\u0101s literat\u016bras p\u0101rst\u0101vji Gorkijs, Turge\u0146evs, Tolstojs, \u010cehovs, Gogolis\u2026 Interesants mot\u012bvs b\u016btu ar\u012b Dons Kihots \u2013 \u201dskumj\u0101 izskata bru\u0146inieks\u201d. <\/em><\/p>\n\n\n\n

Rezult\u0101t\u0101 vien\u0101 no R. Johansson<\/em> tapu\u0161aj\u0101m gr\u0101matz\u012bm\u0113m Dons Kihots zirga mugur\u0101 dodas pa tiltu, kas uzcelts p\u0101ri kalnu aizai, bet rok\u0101 pacelts vi\u0146am ir R. Johansson<\/em> celtniec\u012bbas firmas nosaukums. R. Johansson <\/em>gr\u0101matz\u012bme patikusi, 1965. gada 13. apr\u012bl\u012b P. Up\u012btis sa\u0146\u0113mis v\u0113stuli: <\/p>\n\n\n\n

\u201dMan \u013coti pat\u012bk J\u016bsu darin\u0101tais ekslibris, es b\u016b\u0161u tie\u0161\u0101m lepns to pied\u0101v\u0101t ar\u012b saviem draugiem-kolekcion\u0101riem. Cerams v\u0113l\u0101k es var\u0113tu sa\u0146emt no Jums ar\u012b darba kli\u0161eju, lai var\u0113tu ieg\u016bt vair\u0101k kopiju.\u201d<\/em> Ar\u012b par otro vi\u0146am darin\u0101to gr\u0101matz\u012bmi ar Donu Kihotu R. Johansson<\/em> izsak\u0101s atzin\u012bgi, uzsverot, ka P. Up\u012btim piem\u012bt \u201dizcils m\u0101kslinieciskais talants\u201d<\/em> (v\u0113stule 1965. gada 6. maij\u0101). (tulk. no ang\u013cu val.)<\/p>\n\n\n\n

\n
\n

Rum\u0101\u0146u \u0101rstam un vienam no redzam\u0101kajiem ekslibristu kust\u012bbas p\u0101rst\u0101vjiem Rum\u0101nij\u0101 Emil I. Bologa<\/em> P. Up\u012btis 1978. gad\u0101 izveidojis gr\u0101matz\u012bmi ar portretisku Dona Kihota t\u0113lu p\u0113c fran\u010du grafi\u0137a Gistava Dor\u0113 (Gustave Dor\u00e9) <\/em>z\u012bm\u0113juma. Sav\u0101 v\u0113stul\u0113, izteikdams dzi\u013cu pateic\u012bbu latvie\u0161u grafi\u0137im, E. I. Bologa<\/em> rakst\u012bjis:<\/p>\n\n\n\n

\u201dIzsaku visliel\u0101ko pateic\u012bbu un gandar\u012bjumu. J\u016bsu Doni Kihoti pieder pie gr\u0101matz\u012bmju virsotn\u0113m. Es paz\u012bstu daudzu tautu gr\u0101matz\u012bmju veidot\u0101jus un vi\u0146u darbus. \u0160odien varu dro\u0161i apgalvot \u2013 J\u016bs esat lab\u0101kais gr\u0101matz\u012bmju meistars Eirop\u0101\u201d.<\/em> (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme<\/em>.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a izveidot\u0101 gr\u0101matz\u012bme Emil I. Bologa<\/em>, 1978. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Paul Constantin<\/em>, 1967. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

P. Up\u012btis bijis paz\u012bstams ar\u012b ar rum\u0101\u0146u m\u0101kslas v\u0113sturnieku Paul Constantin,<\/em> ar kuru vi\u0146\u0161 iepazin\u0101s 1967. gad\u0101 R\u012bg\u0101, kad P. Constantin<\/em> str\u0101d\u0101ja tur pie p\u0113t\u012bjuma par j\u016bgendstilu arhitekt\u016br\u0101. P. Up\u012b\u0161a P. Constantin<\/em> veidot\u0101 gr\u0101matz\u012bme metaforiski t\u0113lo zemkopja m\u012blest\u012bbu pret zemi un maizi, reiz\u0113 pau\u017eot domu, ka cilv\u0113kam vienl\u012bdz nepiecie\u0161ama ar\u012b gar\u012bg\u0101 maize \u2013 m\u0101ksla.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Daudzas gr\u0101matz\u012bmes P. Up\u012btis velt\u012bjis it\u0101\u013cu arhitektam, grafi\u0137im un gr\u0101matz\u012bmju kolekcion\u0101ram Gianni Mantero<\/em>. To skait\u0101 ir ar\u012b 1966. gad\u0101 darin\u0101t\u0101 gr\u0101matz\u012bme ar Dona Kihota atveidu. Dons Kihots atrodas st\u0101va, l\u012bkumaina ce\u013ca mal\u0101 ar zobenu rok\u0101, k\u0101 ce\u013ca stabi\u0146i att\u0113lotas gr\u0101matas. \u0160eit redzams, k\u0101 savienojas gr\u0101matz\u012bmes \u012bpa\u0161nieka profesija, intereses, sabiedrisk\u0101 darb\u012bba ar m\u0101ksliniecisku izteiksmes veidu. P. Up\u012btis darin\u0101jis ar\u012b t\u0101das gr\u0101matz\u012bmes, kur\u0101s redzami It\u0101lijas arhitekt\u016bras un kult\u016bras pieminek\u013ci: Romas gidei Lena Coroniadi<\/em> \u2013 Kolizejs (1970), m\u0101kslas zin\u0101tniekam Carlo Caneve<\/em> \u2013 Ven\u0113cijas celtnes (1970).<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Gianni Mantero<\/em>. Avots: LNA_LVA_F1839. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Lena Coroniadi.<\/em> Avots: LNA_LVA_F1839. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Carlo Caneve<\/em>. Avots: LNA_LVA_F1839. <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Paul Ambur<\/em>.<\/strong> Avots: LNA_LVA_F1839. <\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Ar\u012b saviem igau\u0146u kol\u0113\u0123iem, m\u0101ksliniekiem un kolekcion\u0101riem, P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmes, piem\u0113ram, igau\u0146u gr\u0101matz\u012bmju p\u0113tnieks un kolekcion\u0101rs Paul Ambur<\/em>, ar kuru P. Up\u012btim saglab\u0101jusies apjom\u012bga sarakste, ar\u012b sa\u0146\u0113mis P. Up\u012b\u0161a darin\u0101tu gr\u0101matz\u012bmi. 1963. gada 14. janv\u0101r\u012b vi\u0146\u0161 raksta: <\/p>\n\n\n\n

\u201dSirsn\u012bgs paldies par izteiksm\u012bgo un negaid\u012bto d\u0101vanu. J\u016bs \u013coti tr\u0101p\u012bgi att\u0113lojat manu st\u0101vokli.\u201d <\/em>(tulk. no krievu val.) <\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

1983. gad\u0101 P. Up\u012btis izgatavoja gr\u0101matz\u012bmi Ilmar Kaal<\/em>, kur\u0161 ar\u012b velt\u012bjis par to m\u0101ksliniekam pateic\u012bbas v\u0101rdus: <\/p>\n\n\n\n

\u201dLiels, liels Jums paldies un dzi\u013ci paklanos J\u016bsu priek\u0161\u0101. Ekslibris man \u013coti pat\u012bk. K\u0101du cilv\u0113cisku prieku tas man sag\u0101d\u0101ja!\u201d<\/em> (1983. gada 20. oktobr\u012b) (tulk. no krievu val.)<\/em> <\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Ilmar Kaal.<\/em> Avots: LNA_LVA_F1839. 1983<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Akt\u012bva komunik\u0101cija P. Up\u012btim izv\u0113rt\u0101s ar krievu grafi\u0137iem un gr\u0101matz\u012bmju kolekcion\u0101riem. Sergejam Fortinskim (\u0421\u0435\u0440\u0433\u0435\u0439 \u0424\u043e\u0440\u0442\u0438\u043d\u0441\u043a\u0438\u0439<\/em>), kuram pieder\u0113ja liela gr\u0101matz\u012bmju kolekcija, P. Up\u012btis 1969. gad\u0101 darin\u0101jis gr\u0101matz\u012bmi, sa\u0146emot atzin\u012bbas pilnu v\u0113stuli: <\/p>\n\n\n\n

\u201dSirsn\u012bgs paldies par v\u0113stuli un manu jauno ekslibri. K\u0101das gan man var b\u016bt piez\u012bmes par to? Protams, nek\u0101das. Gr\u0101matz\u012bme man pat\u012bk daudzu iemeslu d\u0113\u013c: pirmk\u0101rt, t\u0101p\u0113c, ka to esat veidojis J\u016bs, ko es \u013coti cienu un kura m\u0101kslu augstu v\u0113rt\u0113ju; otrk\u0101rt, t\u0101p\u0113c, ka gr\u0101matz\u012bmei ir J\u016bsu \u201drokraksts\u201d; tre\u0161k\u0101rt, t\u0101p\u0113c, ka man k\u0101 maskavietim no dzim\u0161anas un past\u0101v\u012bg\u0101s dz\u012bvesvietas ir tuvs Kremlis un sirdij tuva ir krievu senatne un visbeidzot t\u0101p\u0113c, ka piemin\u0113tas manas amata pak\u0101pes\u2026\u201d<\/em> (1969. gada 28. apr\u012bl\u012b) (tulk. no krievu val.) <\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Sergejam Fortinskim, 1969. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Lielu gr\u0101matz\u012bmju skaitu P. Up\u012btis veidojis ung\u0101ru un d\u0101\u0146u kult\u016bras darbiniekiem. Tas izskaidrojams gan ar vi\u0146a piedal\u012b\u0161anos ekslibristu kongresos \u0161aj\u0101s valst\u012bs un l\u012bdz ar to ar\u012b kontaktu veido\u0161anu, gan ar to, ka gr\u0101matz\u012bmes tur biju\u0161as diezgan iecien\u012btas. D\u0101\u0146u m\u0101ksliniekiem un kolekcion\u0101riem P. Up\u012btis darin\u0101jis daudz gr\u0101matz\u012bmju, viens no tiem ir d\u0101\u0146u m\u0101kslinieks Christian Blaesbjerg<\/em>. 1960. gada 24. novembr\u012b C. Blaesbjerg<\/em> rakst\u012bjis: <\/p>\n\n\n\n

\u201dJa v\u0113laties izveidot man ekslibri, tad mot\u012bvs var\u0113tu b\u016bt lauva ar z\u012bmuli un manu v\u0101rdu, uzv\u0101rdu, t\u0101tad Jums ir br\u012bvas rokas ar uzdevumu.\u201d <\/em><\/p>\n\n\n\n

P. Up\u012btis savuk\u0101rt atbild\u0113jis: <\/p>\n\n\n\n

\u201dEsmu ar mieru Jums n\u0101kotn\u0113 izgatavot gr\u0101matz\u012bmi ar J\u016bsu izv\u0113l\u0113to t\u0113mu, man ir jau radu\u0161ies da\u017ei idejiskie meti, bet \u0161ogad neb\u016bs laika to izgatavot. Ja at\u013cauts man, tad es to paveik\u0161u n\u0101ko\u0161\u0101 gada s\u0101kum\u0101.\u201d <\/em>(1960. gads, saglab\u0101jies v\u0113stules melnraksts) <\/p>\n\n\n\n

Turpm\u0101kaj\u0101 sarakst\u0113 P. Up\u012btis v\u0113l\u0113jies noskaidrot, vai pas\u016bt\u012bt\u0101js ir apmierin\u0101ts ar vi\u0146a rad\u012bto darbu un pied\u0101v\u0101jis apl\u016bkot divus t\u0101 variantus: <\/p>\n\n\n\n

\n
\n

\u201dVien\u0101 z\u012bm\u0113 lauva nikn\u0101ks, otr\u0101 nosv\u0113rt\u0101ks, kur\u0161 variants J\u016bs lab\u0101k apmierina par to atrakstiet. Tagad tik redzu, ka apvienot z\u012bmuli ar lauvu nemaz nav tik viegli, pie tam lauvu ksilogr\u0101fij\u0101 izpildu tikpat k\u0101 pirmo reizi, bija j\u0101mekl\u0113 daudzi papildus materi\u0101li un j\u0101iet uz zv\u0113ru d\u0101rzu skic\u0113t. Ja b\u016bsiet par manu sniegumu kaut cik apmierin\u0101ts, b\u016b\u0161u priec\u012bgs.\u201d<\/em> (1961.gada decembris, saglab\u0101jies v\u0113stules melnraksts)<\/p>\n<\/div>\n\n\n\n

\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Christian Blaesbjerg<\/em>, 1961. gads.<\/strong> Avots: LNA_LVA_F1839. <\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

C. Blaesbjerg<\/em> tad veicis savu izv\u0113li un bijis apmierin\u0101ts ar gala rezult\u0101tu: \u201dEsmu \u013coti priec\u012bgs par gr\u0101matz\u012bmi ar lauvu, ko J\u016bs man izveidoj\u0101t.\u201d <\/em>(1962. gada 22. septembris) <\/p>\n\n\n\n

\n
\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Christian Blaesbjerg<\/em>, 1965. gads.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

V\u0113l\u0101k, 1965. gad\u0101, P. Up\u012btis izveidojis gr\u0101matz\u012bmes C. Blaesbjerg<\/em>, kuras sa\u0146\u0113mu\u0161as ar\u012b nelielu kritiku:<\/p>\n\n\n\n

\u201dPaldies par div\u0101m gr\u0101matz\u012bm\u0113m, kuras man laipni izveidoj\u0101t. Man vislab\u0101k pat\u012bk otrais variants, lai gan man liekas, ka sievietes fig\u016bra abos gad\u012bjumos \u0161\u0137iet p\u0101r\u0101k v\u012bri\u0161\u0137\u012bga\u2026\u201d<\/em> (1965. gada 5. novembris) (tulk. no v\u0101cu val.)<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Gr\u0101matz\u012bmju kolekcion\u0101ram Johnny<\/em> K\u00f8hler <\/em>P. Up\u012btis darin\u0101jis tr\u012bs gr\u0101matz\u012bmes, no kur\u0101m pirm\u0101, 1961. gad\u0101 izveidot\u0101, ir ar\u012b P. Up\u012b\u0161a pirm\u0101 kr\u0101sain\u0101 gr\u0101matz\u012bme. 1961. gada 26. mart\u0101 P. Up\u012btis raksta (saglab\u0101jies v\u0113stules melnraksts):<\/p>\n\n\n\n

\u201dP\u0113c ilgas gaid\u012b\u0161anas b\u016bs atn\u0101cis tas br\u012bdis, kad varu Jums nos\u016bt\u012bt J\u016bsu gr\u0101matz\u012bmes pirmo nospiedumu paraugus (20 gab.), kur\u0101s kr\u0101s\u0101s izpild\u012btais Jums patiks, to ceru, ka J\u016bs man atrakst\u012bsiet. Gr\u0101matz\u012bm\u0113 izteikt\u0101 doma b\u016btu sekojo\u0161a: tum\u0161a zeme, kuru robe\u017eo pastmarku perfor\u0101cija, ir uzspiests J\u016bsu dz\u012bves vietas Rudk\u00f8bing spiedogs ar 1961. gadu, kuru varat las\u012bt no jebkura gala. Aug\u0161\u0101 nosl\u0113gta it k\u0101 ar t\u0101l\u0113 eso\u0161u kalnu-kailas sievietes kont\u016bru, jo zinu, ka J\u016bs v\u0101cat ar\u012b erotisk\u0101s gr\u0101matz\u012bmes. Att\u0113lotie tr\u012bs uzplauku\u0161o tulpju ziedi simboliz\u0113 t\u0113lot\u0101ju m\u0101kslu, m\u016bziku un literat\u016bru. K\u0101 Jums \u0161is izk\u0101rtojums patiks, to grib\u0113tu dzird\u0113t. \u0160\u012b ir mana pirm\u0101 daudzkr\u0101su gr\u0101matz\u012bme, cent\u012b\u0161os v\u0113l atrast k\u0101du cit\u0101du kr\u0101su savienojumu\u2026\u201d <\/em><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Johnny<\/em> K\u00f8hler<\/em>, 1961. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

J.<\/em> K\u00f8hler <\/em>1961. gada 11. apr\u012bl\u012b sniedzis atbildi: <\/p>\n\n\n\n

\u201dTas man ir \u013coti liels pagodin\u0101jums sa\u0146emt no jums person\u012bgu ekslibri, un es par to esmu \u013coti pateic\u012bgs. Mot\u012bvs ir \u013coti veiksm\u012bgs un man pat\u012bk. Es uzskatu, ka br\u016bnais\/zilais ir vislab\u0101k, bet otrs variants \u2013 melns\/br\u016bns ar\u012b ir labs.\u201d <\/em><\/p>\n\n\n\n

P\u0113c diviem m\u0113ne\u0161iem un da\u017e\u0101diem P. Up\u012b\u0161a J.<\/em> K\u00f8hler <\/em>pied\u0101v\u0101tajiem gr\u0101matz\u012bmes variantiem vi\u0146\u0161 raksta P. Up\u012btim:<\/p>\n\n\n\n

\u201dPaldies par J\u016bsu jauko v\u0113stuli un vair\u0101kiem mana ekslibra nospiedumiem. Redzu, ka esat eksperiment\u0113jis ar kr\u0101s\u0101m. Nevaru pateikt, kura kr\u0101sa man vislab\u0101k pat\u012bk, jo visi nospiedumi ir labi, liels paldies par tiem.\u201d <\/em>(1961. gada 13. j\u016bnijs) (tulk. no ang\u013cu val.)<\/p>\n\n\n\n

\n
\n

Piecas gr\u0101matz\u012bmes P. Up\u012btis darin\u0101jis s\u0113klu tirgot\u0101jam un m\u0101kslas darbu kolekcion\u0101ram Helmer Fogedgaard. 1966. gad\u0101 P. Up\u012btis izveidojis vi\u0146am kr\u0101sainu gr\u0101matz\u012bmi, kur\u0101 redzams dadzis un gr\u0101mata, bet 1969. gad\u0101 darin\u0101taj\u0101 gr\u0101matz\u012bm\u0113 \u2013 dadzis, bite, piene\u0146p\u016bkas. H. Fogedgaard<\/em> gr\u0101matz\u012bme patikusi:<\/p>\n\n\n\n

\u201dSirsn\u012bgs paldies par J\u016bsu p\u0113d\u0113jo v\u0113stuli. T\u0101s saturs man bija liels un \u013coti jauks p\u0101rsteigums. Liels paldies par lielisko gr\u0101matz\u012bmi. Man\u0101 darb\u0101 nekas nevar b\u016bt lab\u0101ks par biti uz zieda. Tas ir \u013coti jauks simbols.\u201d<\/em> (1969. gada 5. marts).<\/p>\n<\/div>\n\n\n\n

\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Helmer Fogedgaard<\/em>.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong>Helmer Fogedgaard<\/em>,<\/strong> 1970. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

1970. gad\u0101 P. Up\u012btis ar\u012b rad\u012bjis gr\u0101matz\u012bmi ar atsauci uz H. Fogedgaard <\/em>profesiju. Ar\u012b \u0161im darbam t\u0101 adres\u0101ts velt\u012bjis atzin\u012bgus v\u0101rdus:<\/p>\n\n\n\n

\u201d\u012apa\u0161s paldies par p\u0113d\u0113jo jauno ekslibri ar manu v\u0101rdu. Jauns p\u0101rsteigums! Un cik smalki izpild\u012bta simboliska atsauce uz manu profesiju.\u201d<\/em> (1970. gada 24. apr\u012blis) (tulk. no v\u0101cu val.)<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

D\u0101nijas Karalisk\u0101s bibliot\u0113kas (Det Kongelige Bibliotek)<\/em> zin\u0101tniskais darbinieks Jorgen Vils Pedersen<\/em>, redzot, k\u0101du gr\u0101matz\u012bmi P. Up\u012btis rad\u012bjis vi\u0146a draugam H. Fogedgaard, <\/em>ar\u012b v\u0113l\u0113jies sev P. Up\u012b\u0161a darin\u0101tu gr\u0101matz\u012bmi:<\/p>\n\n\n\n

“J\u016bs darin\u0101j\u0101t ekslibri manam labam draugam Helmer Fogedgaard. T\u0101 ir \u013coti jauka, kr\u0101saina gr\u0101matz\u012bme – sarkan\u012bga – ar gr\u0101matu un ziediem. Es ar\u012b v\u0113l\u0113tos ko t\u0101du, kad rodas iesp\u0113ja. Cik tas maks\u0101s? Manas intereses ir ziedi, gr\u0101matas, m\u0101ksla, pastmarkas, ekslibri, fotograf\u0113\u0161ana, erotiski mot\u012bvi.\u201d <\/em>(1970. gada 11. janv\u0101ris)<\/p>\n\n\n\n

Rezult\u0101ts vi\u0146am paticis un 1970. gada 4. mart\u0101 J. V. Pedersen<\/em> s\u016bt\u012bjis P. Up\u012btim pateic\u012bbas v\u0113stuli:<\/p>\n\n\n\n

Liels paldies par J\u016bsu v\u0113stuli ar skaisto ekslibri, es uzskatu, ka tas ir \u013coti labs.\u201d <\/em>(tulk. no v\u0101cu val.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong>Jorgen Vils<\/em> <\/strong>Pedersen<\/em>,<\/strong> 1970. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Klaus R\u00f6del <\/em>, 1968. gads. <\/strong>Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

1968. gada 6. mart\u0101 d\u0101\u0146u gr\u0101matz\u012bmju kolekcion\u0101rs Klaus R\u00f6del<\/em> raksta:<\/p>\n\n\n\n

\u201dVai b\u016btu iesp\u0113ja sa\u0146emt no J\u016bsu rok\u0101m ekslibri, ja Jums k\u0101dreiz ir laiks un v\u0113lme to izgatavot. Es esmu dedz\u012bgs gr\u0101matu kolekcion\u0101rs, \u012bpa\u0161i skandin\u0101vu un v\u0101cu literat\u016bras, bet man ir ar\u012b krievu literat\u016bra, Tolstojs, Dostojevskis\u2026\u201d<\/em><\/p>\n\n\n\n

P. Up\u012btis vi\u0146a v\u0113lmi \u012bstenojis un 1968. gada j\u016bnij\u0101, sa\u0146emot gr\u0101matz\u012bmes, K. R\u00f6del<\/em> atzinis, ka t\u0101s vi\u0146am \u013coti pat\u012bk.  (tulk. no v\u0101cu val.)<\/p>\n<\/div>\n<\/div>\n\n\n\n

          <\/p>\n\n\n\n

\n
\n

D\u0101\u0146u arh\u012bvistam Egart Andersson<\/em> pieder\u0113jusi pla\u0161a gr\u0101matz\u012bmju kolekcija, aptuveni 10 000 vien\u012bbu no visas pasaules. Vi\u0146am P. Up\u012btis darin\u0101jis interesantu gr\u0101matz\u012bmi ar Sen\u0101s \u0112\u0123iptes mot\u012bvu. Taj\u0101 laik\u0101 P. Up\u012btis p\u0113t\u012bjis Sen\u0101s \u0112\u0123iptes m\u0101kslas avotus un, kad E. Andersson <\/em>l\u016bdzis izgatavot gr\u0101matz\u012bmi p\u0113c sak\u0101mv\u0101rda \u201dJa dab\u0101 viens \u0137\u0113des loceklis tr\u016bkst, viss satr\u016bkst\u201d, vi\u0146\u0161 nol\u0113mis to paveikt, apvienojot savas intereses ar sak\u0101mv\u0101rdu. (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme.<\/em>)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Egart Andersson<\/em>. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Ferenc Galambos<\/em><\/strong>. Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Ar P. Up\u012bti sarakst\u012bjies ar\u012b ung\u0101ru m\u0101kslas zin\u0101tnieks Ferenc Galambos<\/em>, kuram vi\u0146\u0161 darin\u0101jis divas gr\u0101matz\u012bmes \u2013 vienu divkr\u0101sainu ar sauli, putniem, gr\u0101matu, otru, kas velt\u012bta ekslibristu kongresam Komo 1968. gad\u0101 un kur\u0101 att\u0113lots Dons Kihots ar Rosinanti, kas ved gr\u0101matu kaudzi.<\/p>\n<\/div>\n<\/div>\n\n\n\n

M\u0101kslas zin\u0101tniekam Gy\u00f6rgy P\u00f3ka P. <\/em>Up\u012btis ar\u012b izveidojis gr\u0101matz\u012bmi ar Donu Kihotu, jo vi\u0146\u0161 gan kolekcion\u0113jis \u0161\u0101das gr\u0101matz\u012bmes, gan aizst\u0101v\u0113jis disert\u0101ciju \u201dDons Kihots gr\u0101matz\u012bm\u0113s\u201d <\/em>(1976.). Gr\u0101matz\u012bm\u0113 Dons Kihots ar garu \u0161\u0137\u0113pu rok\u0101 un zirga mugur\u0101 j\u0101j gar\u0101m trim v\u0113jdzirnav\u0101m. 1972. gad\u0101 Helsing\u0113ras ekslibristu kongres\u0101 P. Up\u012btis iepazin\u0101s ar ung\u0101ru liter\u0101tu Florian Szentesi<\/em>. Taj\u0101 pa\u0161\u0101 gad\u0101 tapa gr\u0101matz\u012bme ar pegazu, kas kop\u0101 ar dzejnieku lido p\u0101ri Hamleta pilij. Ung\u0101ru aktierim Imre Soos<\/em>, kur\u0161 kolekcion\u0113jis visu par m\u0101kslinieku Vinsentu van Gogu (Vincent<\/em> van Gogh)<\/em>, P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmi ar Vinsenta van Goga portretu.<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Florian Szentesi<\/em>, 1972. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Imre Soos<\/em>, 1972. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Helsing\u0113ras ekslibristu kongres\u0101 1972. gad\u0101 P. Up\u012btis iepazin\u0101s ar somu Sulo Forsberg<\/em>, kuram pieder\u0113ja liela gr\u0101matz\u012bmju kolekcija, bet neesot neviena latvie\u0161u m\u0101kslinieka darba, un vi\u0146\u0161 pied\u0101v\u0101jis apmain\u012bties ar gr\u0101matz\u012bm\u0113m. 1974. gad\u0101 tapa gr\u0101matz\u012bme S. Forsberg<\/em> – vien\u012bg\u0101 P. Up\u012b\u0161a gr\u0101matz\u012bme Somijas p\u0101rst\u0101vim. Me\u017eu ielok\u0101 t\u0113lots gr\u0101matu kalns, kura gal\u0101 s\u0113\u017e \u0113rglis.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Sulo Forsberg<\/em>, 1974. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Helsing\u0113ras kongresa laik\u0101 P. Up\u012btis p\u0113c iek\u0101rto\u0161an\u0101s viesn\u012bc\u0101 izn\u0101cis pastaig\u0101ties un ieraudz\u012bjis, ka no automa\u0161\u012bnas izk\u0101pj viena no Dienvidsl\u0101vijas ekslibristu kust\u012bbas vad\u012bt\u0101j\u0101m Dagmar Nova\u010dek ar \u0161veicieti Carlo Chiesa, kas uz turieni atbraucis no Lug\u0101no (\u0160veice). Vi\u0146\u0161 bijis priec\u012bgs, satiekot P. Up\u012bti, ta\u010du juties satriekts, kad konstat\u0113jis, ka garaj\u0101 ce\u013c\u0101 pazudis naudasmaks ar 1000 \u0160veices frankiem. P. Up\u012btis atceras: <\/p>\n\n\n\n

\n
\n

\u201dEs \u0161veicieti bie\u017ei v\u0113roju visu pirmo kongresa dienu un redz\u0113ju, cik vi\u0146\u0161 nom\u0101kts. Bet k\u0101 izmain\u012bj\u0101s n\u0101kamaj\u0101 dien\u0101, kad pa telegr\u0101fu vi\u0146am ats\u016bt\u012bja no \u0160veices naudu. Kad es apsol\u012bju vi\u0146am gr\u0101matz\u012bmi, nobu\u010doja mani uz vaiga un bija l\u012bksm\u0101kais cilv\u0113ks l\u012bdz kongresa beig\u0101m. Es vi\u0146am izveidoju gr\u0101matz\u012bmi \u2013 velnu ar sm\u012bn\u012bgu grimasi Helsing\u0113ras fon\u0101, kas stiepj proj\u0101m naudas l\u0101di ar t\u016bksto\u0161 frankiem. Pavadz\u012bm\u0113 ar humoru piez\u012bm\u0113ju: \u201d\u0160\u012bs gr\u0101matas pamatdoma \u2013 ar\u012b ekslibristu kongres\u0101 velns nesnau\u017e.\u201d<\/em> (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme<\/em>.)<\/p>\n\n\n\n

P. Up\u012btis v\u0113stul\u0113 (saglab\u0101jies v\u0113stules melnraksts) C. Chiesa<\/em> 1972. gada 3. oktobr\u012b raksta: \u201cMan j\u0101atvainojas, ka bez j\u016bsu piekri\u0161anas izveidoju gr\u0101matz\u012bmi par \u0161\u0101du t\u0113mu. Ja uzskat\u0101t, ka mana cen\u0161an\u0101s ir pie\u0146emama, l\u016bdzu, dariet man to zin\u0101mu, lai varu nos\u016bt\u012bt v\u0113l da\u017eas kopijas.\u201d<\/em> C. Chiesa<\/em> \u0161\u012b humoristisk\u0101 gr\u0101matz\u012bme patikusi. (tulk. no v\u0101cu val.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme Carlo Chiesa<\/em>, 1972. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Dagmar Nova\u010dek<\/em>, 1965. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Iepriek\u0161 min\u0113tajai Slov\u0113nijas ekslibristu biedr\u012bbas priek\u0161s\u0113d\u0113t\u0101jai D. Nova\u010dek<\/em> P. Up\u012btis darin\u0101jis \u013coti savdab\u012bgu gr\u0101matz\u012bmi, jo vi\u0146a ats\u016bt\u012bjusi m\u0101ksliniekam v\u0113stuli ar \u0161\u0101du v\u0113lmi: \u201dEsmu pension\u0113ta m\u0101kslas pasniedz\u0113ja. \u013boti v\u0113l\u0113tos, lai J\u016bs man izveidotu gr\u0101matz\u012bmi, kur\u0101 b\u016btu v\u0101rdi \u201dVerba movent, exempla trahunt\u201d, sun\u012btis, kuru es \u013coti m\u012bl\u0113ju (vi\u0146u tikko sabrauca) un kas \u0113d kop\u0101 ar ka\u0137i, un ar kuru var\u0113tu pateikt: \u201dLai visi cilv\u0113ki labi saprastos\u201d. <\/em>V\u0113stulei biju\u0161as pievienotas su\u0146a un ka\u0137a fotogr\u0101fijas. P. Up\u012btis 1965. gad\u0101 izveidoja tie\u0161i t\u0101du gr\u0101matz\u012bmi, un D. Nova\u010dek<\/em> vair\u0101kk\u0101rt par to pateic\u0101s, gan v\u0113stul\u0113, gan v\u0113l\u0101k kongresos. (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme.<\/em>)<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

P. Up\u012btis bijis paz\u012bstams ar\u012b ar daudziem Polijas ekslibristiem un to gr\u0101matz\u012bmju kolekcion\u0101riem. Vi\u0146\u0161 uzskat\u012bjis, ka Polija ir viena no valst\u012bm ar augstu gr\u0101matz\u012bmju m\u0101kslas l\u012bmeni. P. Up\u012b\u0161a kolekcij\u0101 ir simtiem po\u013cu m\u0101kslinieku darin\u0101tu gr\u0101matz\u012bmju. Ar\u012b pats P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmes po\u013cu m\u0101ksliniekiem un kolekcion\u0101riem, ar kuriem iepazinies 1970. gad\u0101 Budape\u0161t\u0101 ekslibristu kongres\u0101. Po\u013cu m\u0101ksliniekam Vojciech Jakubowski<\/em>, kur\u0161 organiz\u0113jis ar\u012b gr\u0101matz\u012bmju bienn\u0101les Eirop\u0101, P. Up\u012btis velt\u012bjis divas gr\u0101matz\u012bmes, kur\u0101s redzams vi\u0146a darb\u012bbai rakstur\u012bgais. Vien\u0101 no t\u0101m (1969) t\u0113lots cilv\u0113ks, kur\u0161 pret\u012b saulei tur paceltu dzeli, gais\u0101 lido putni, bet otr\u0101 (1971) \u2013 Malborkas pils Polij\u0101 \u2013 V. Jakubowski<\/em> darb\u012bbas centrs.<\/p>\n<\/div>\n\n\n\n

\n

P. Up\u012b\u0161a darin\u0101t\u0101s gr\u0101matz\u012bmes Vojciech Jakubowski.<\/strong> Avots: LNA_LVA_F1839.<\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Andrzej Kempa<\/em>, 1969. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Literat\u016bras un valodas pasniedz\u0113js no Lodzas, Aleksandra Pu\u0161kina dzejas cien\u012bt\u0101js Andrzej Kempa<\/em> l\u016bdzis gr\u0101matz\u012bmi par Pu\u0161kina dzejo\u013ca \u201dRuslans un Ludmila\u201d t\u0113mu. T\u0101s saturu veido A. Pu\u0161kina po\u0113mas ievadda\u013cas mot\u012bvs ar teiksmainu ozolu j\u016bras krast\u0101, pie\u0137\u0113d\u0113to ka\u0137i, pili un cit\u0101m deta\u013c\u0101m (1969).<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

Jau min\u0113taj\u0101 Budape\u0161tas ekslibristu kongres\u0101 1970. gad\u0101 P. Up\u012btis iepazin\u0101s ar\u012b ar Klemens Raczak<\/em> \u2013 c\u016bkkop\u012bbas fermas in\u017eenieri, gr\u0101matz\u012bmju kolekcion\u0101ru no Pozna\u0146as. Vi\u0146\u0161 izteicis v\u0113l\u0113\u0161anos ieg\u016bt gr\u0101matz\u012bmi, kur\u0101 b\u016btu c\u016bka. P. Up\u012btis vair\u0101k nek\u0101 pusgadu str\u0101d\u0101jis pie \u0161\u012bs gr\u0101matz\u012bmes, jo nekad nebija nevien\u0101 sav\u0101 darb\u0101 atveidojis c\u016bku, ta\u010du ilgsto\u0161ais darbs vainagojies ar pan\u0101kumu. Gr\u0101matz\u012bmes centr\u0101 po\u013cu v\u012brs tautisk\u0101 t\u0113rp\u0101 redzams kop\u0101 ar vair\u0101k\u0101m c\u016bk\u0101m. K. Raczak<\/em> bijis \u013coti pateic\u012bgs par \u0161o darbu un rakst\u012bjis: <\/p>\n\n\n\n

\u201dPaldies! T\u0101 ir mana pirm\u0101 vislab\u0101k\u0101 gr\u0101matz\u012bme ar c\u016bkkopi, ar c\u016bku un par c\u016bkkop\u012bbu\u201d.<\/em> (Zeile. P. Gr\u0101matz\u012bme \u2013 cilv\u0113ku un kult\u016bru vienot\u0101jz\u012bme<\/em>.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Klemens Raczak<\/em>, 1971. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong>Konstant\u012bnam Kozlovskim, 1965. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

1965. gad\u0101 P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmi ukrai\u0146u grafi\u0137im Konstant\u012bnam Kozlovskim (\u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d \u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432\u0438\u0447 \u041a\u043e\u0437\u043b\u043e\u0432\u0441\u043a\u0438\u0439<\/em>) un san\u0101cis t\u0101, ka m\u0101kslinieks to sa\u0146\u0113mis k\u0101 d\u0101vanu dzim\u0161anas dien\u0101. Savu pateic\u012bbu vi\u0146\u0161 izteica 1965. gada 24. septembr\u012b P. Up\u012btim s\u016bt\u012btaj\u0101 v\u0113stul\u0113: \u201dNo visas sirds un dv\u0113seles pateicos Jums par negaid\u012bto un lielisko d\u0101vanu \u2013 par \u013coti kvalitat\u012bvo vis\u0101 ekslibri. T\u0101 man ir lab\u0101k\u0101 d\u0101vana 60 gadu jubilej\u0101. \u0160aj\u0101 gr\u0101matz\u012bm\u0113 viss ir lieliski un pareizi\u2026\u201d <\/em>(tulk. no krievu val.) <\/p>\n<\/div>\n<\/div>\n\n\n\n

Pla\u0161a sarakste P. Up\u012btim izv\u0113rtusies ar Ukrainas pils\u0113t\u0101 Beregov\u0101 dzimu\u0161o, v\u0113l\u0101k Ung\u0101rij\u0101 dz\u012bvojo\u0161o skolot\u0101ju, gr\u0101matz\u012bmju kolekcion\u0101ru un Beregovas (ung\u0101ru valod\u0101 Beregszasz<\/em>) fonda, kas r\u016bp\u0113jas par \u0161\u012bs Ukrainas pils\u0113tas v\u0113stures un taj\u0101 dz\u012bvojo\u0161o ung\u0101ru nacion\u0101l\u0101s identit\u0101tes saglab\u0101\u0161anu (Aizkarpatu apgabal\u0101 dz\u012bvo t\u016bksto\u0161iem ung\u0101ru, k\u0101dreiz \u0161is apgabals bija Ung\u0101rijas Karalistes sast\u0101v\u0101) un sniedz ieguld\u012bjumu ar\u012b t\u0101s att\u012bst\u012bb\u0101, priek\u0161s\u0113d\u0113t\u0101ju Arpad Dalmay<\/em>. 2022. gad\u0101 fonds, v\u0101cot ziedojumus, sniedz pal\u012bdz\u012bbu ar\u012b Ukrain\u0101 notieko\u0161aj\u0101 kar\u0101 cietu\u0161ajiem \u0161aj\u0101 apgabal\u0101. 1978. gada 13. j\u016blij\u0101 A. Dalmay<\/em> v\u0113stul\u0113 P. Up\u012btim raksta: \u201dJa ir iesp\u0113jams, l\u016bdzu izgatavojiet man ekslibri. Protams, labi zinu, ka esat \u013coti aiz\u0146emts, bet man b\u016btu liels prieks un gods par to, ja man pieder\u0113tu P\u0113tera Up\u012b\u0161a darin\u0101ts ekslibris.\u201d P\u0113c tam, sa\u0146emot P. Up\u012b\u0161a piekri\u0161anu veikt \u0161\u0101du darbu, vi\u0146\u0161 past\u0101sta par sav\u0101m v\u0113lm\u0113m, ko vajadz\u0113tu att\u0113lot \u0161aj\u0101 gr\u0101matz\u012bm\u0113 un ko vajadz\u0113tu labot p\u0113c P. Up\u012b\u0161a pied\u0101v\u0101to gr\u0101matz\u012bmes variantu apskates: \u201dPar ekslibra t\u0113mu v\u0113los es divas izmai\u0146as veikt. Pirm\u0101 ir t\u0101, ka v\u0113los pievienot manas dzimt\u0101s pils\u0113tas Beregszasz<\/em> (Beregova) foto. Otr\u0101 \u2013 ir sena le\u0123enda par m\u016bsu pils\u0113tas ra\u0161anos. P\u0113k\u0161\u0146i saskr\u0113j\u0101s divi bu\u013c\u013ci un ar ragiem izc\u0113lu\u0161i no zemes katlu ar zelta mon\u0113t\u0101m. Gans v\u0101rd\u0101 Szaszs (tulk. no ung\u0101ru val. saksis, jo pils\u0113tu dibin\u0101ja sak\u0161i) uzc\u0113la bazn\u012bcu \u0161aj\u0101 viet\u0101. T\u0101 rad\u0101s m\u016bsu pils\u0113ti\u0146a un ieguva nosaukumu Beregszasz<\/em> no v\u0101rda \u201cbirzs\u201d – ung\u0101ru \u201cberek\u201d un \u201csak\u0161i\u201d, ung\u0101ru \u201cszasz\u201d. B\u016btu \u013coti jauki un interesanti iem\u016b\u017ein\u0101t \u0161o le\u0123endu gr\u0101matz\u012bm\u0113.\u201d (1978. gada 16. septembris) (tulk. no krievu val.) <\/em>Aptuveni p\u0113c ned\u0113\u013cas A. Dalmay<\/em> atkal rakst\u012bjis P. Up\u012btim un izteicis v\u0113lmi veikt v\u0113l da\u017eus labojumus sev pas\u016bt\u012btaj\u0101 gr\u0101matz\u012bm\u0113:<\/p>\n\n\n\n

\n
\n

\u201dEs v\u0113los veikt nelielu labojumu sav\u0101 ekslibra pas\u016bt\u012bjum\u0101, ja nav par v\u0113lu. Es jums esmu uzrakst\u012bjis m\u016bsu pils\u0113tas izcelsmi. M\u016bsu ung\u0101ru dzejnieks Mihaly Tompa t\u0101s le\u0123endai velt\u012bjis \u013coti skaistu bal\u0101di, to sauc par “Beregszasz”. Ja v\u0113l ir iesp\u0113jams, l\u016bdzu, iegrav\u0113jiet uz gr\u0101matz\u012bmes ar\u012b Tompa portretu. V\u0113l var\u0113tu b\u016bt, piem\u0113ram, v\u0113r\u0161u c\u012b\u0146as, gans, varb\u016bt ar\u012b bazn\u012bca vai t\u0101s siluets. Un, protams, teksts: Exlibris Dalmay Arpad. Nos\u016btu jums Tompas portretu uz Ung\u0101rijas pastmarkas.\u201d <\/em>(1978. gada 25. septembris). Ar gala rezult\u0101tu A. Dalmay bijis \u013coti apmierin\u0101ts. (tulk. no v\u0101cu val.)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong>Arpad Dalmay<\/em>. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Leo Arras<\/em>, 1972. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

P. Up\u012btim biju\u0161i ar\u012b t\u0101di gr\u0101matz\u012bmju pas\u016bt\u012bjumi, kur cilv\u0113ks v\u0113l\u0113jies redz\u0113t nevis savu dzimto apk\u0101rtni, savas profesijas atveidu u. tml., bet, piem\u0113ram, rakstur\u012bg\u0101ko R\u012bgas veidol\u0101, ko l\u016bdzis att\u0113lot be\u013c\u0123u liter\u0101ts, kolekcion\u0101rs Leo Arras<\/em>. P. Up\u012btis vi\u0146am 1972. gad\u0101 izveidojis gr\u0101matz\u012bmi ar visp\u0101rin\u0101tu Vecr\u012bgas panor\u0101mu.<\/p>\n<\/div>\n<\/div>\n\n\n\n

               <\/p>\n\n\n\n

Gr\u0101matz\u012bmju tap\u0161anas raksturs cie\u0161i saist\u012bts ar tie\u0161ajiem kontaktiem starp da\u017e\u0101du tautu m\u0101ksliniekiem un liel\u0101 m\u0113r\u0101 ar\u012b ar kult\u016bras sakaru raksturu starp valst\u012bm. Tikai vienu gr\u0101matz\u012bmi P. Up\u012btis darin\u0101jis Sp\u0101nijas p\u0101rst\u0101vim, t\u0101 bija gr\u0101matz\u012bmju kolekcion\u0101rei no Barselonas Pepita Palle<\/em>. Portug\u0101\u013cu m\u0101kslinieks, starptautisko grafikas izst\u0101\u017eu organiz\u0113t\u0101js Portug\u0101l\u0113, Ovaras m\u0101kslas un etnogr\u0101fijas muzeja direktors Augusto de Almeida<\/em> l\u016bdzis P. Up\u012bti ats\u016bt\u012bt gr\u0101matz\u012bmi, kur\u0101 b\u016btu att\u0113lota sieviete latvie\u0161u tautas t\u0113rp\u0101. Tapa l\u012bdz \u0161im vien\u012bg\u0101 \u0161\u0101da veida gr\u0101matz\u012bme ar tautumeitu un senlatvie\u0161u koka pili fon\u0101. 1979. gada starptautiskaj\u0101 ekslibru izst\u0101d\u0113 Portug\u0101l\u0113 P. Up\u012btis piedal\u012bj\u0101s ar 15 sav\u0101m gr\u0101matz\u012bm\u0113m.<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Pepita Palle, <\/em>1974. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Augusto de Almeida, <\/em>1977. gads . Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012btis ir darin\u0101jis gr\u0101matz\u012bmes ar\u012b t\u0101l\u0101ku valstu p\u0101rst\u0101vjiem, piem\u0113ram, Argent\u012bnas ekslibristu asoci\u0101cijas dibin\u0101t\u0101jai Maria Magdalena Otamendi de Olaciregui<\/em>. 1971. gad\u0101 izgatavot\u0101 gr\u0101matz\u012bme vi\u0146ai patikusi: <\/p>\n\n\n\n

\u201dEsmu pat\u012bkami p\u0101rsteigta par lielisko gr\u0101matz\u012bmi, ko j\u016bs man izgatavoj\u0101t.\u201d <\/em>(1971. gada 10. oktobr\u012b) (tulk. no sp\u0101\u0146u val.) <\/em><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Maria Magdalena Otamendi, <\/em>1971. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

P. Up\u012btis sarakst\u012bjies ar\u012b ar jap\u0101\u0146u m\u0101kslinieku, kolekcion\u0101ru un bibliotek\u0101ru Peter F. Hosokawa<\/em>. Vi\u0146am P. Up\u012btis darin\u0101jis ekslibri ar Dona Kihota t\u0113lu. 1981. gada 14. maij\u0101 P. F. Hosokawa<\/em> raksta: \u201dSirsn\u012bgi pateicos Jums par J\u016bsu lielisko ekslibri ar Donu Kihotu\u2026.\u201d<\/em> V\u0113l\u0101k, 1983. gada 23. j\u016bnij\u0101 vi\u0146\u0161 izsaka v\u0113l\u0113\u0161anos sa\u0146emt l\u012bdz\u012bgu ekslibri, k\u0101du P. Up\u012btis izgatavojis rakstniecei Reg\u012bnai Ezerai: \u201dSkatoties uz J\u016bsu m\u0101kslas darbiem, es v\u0113l\u0113tos sav\u0101 jaunaj\u0101 ekslibr\u012b Latvijas ezera skata mot\u012bvu, piem\u0113ram, t\u0101du k\u0101 J\u016bsu darin\u0101taj\u0101 Reg\u012bnas Ezeras ekslibr\u012b. Vai J\u016bs var\u0113tu manam ekslibrim izveidot \u0161\u0101du mierpilnu ainavu?\u201d <\/em>P. Up\u012btis \u012bstenojis \u0161o l\u016bgumu, un 1983. gada 9. novembr\u012b P. F. Hosokawa<\/em> raksta: \u201dEs \u013coti priec\u0101jos par savu jauno ekslibri ar mierpilnu ezera skatu, kuru J\u016bs man laipni izveidoj\u0101t.\u201d<\/em> (tulk. no ang\u013cu val.)<\/em><\/p>\n\n\n\n

\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Peter F. Hosokawa, <\/em>1981. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong> Reg\u012bnai Ezerai, <\/em>1980. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
P. Up\u012b\u0161a darin\u0101t\u0101 gr\u0101matz\u012bme <\/strong>Peter F. Hosokawa, <\/em>1983. gads <\/em>. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

P. Up\u012btis darin\u0101jis gr\u0101matz\u012bmes ne vien atsevi\u0161\u0137\u0101m person\u0101m no da\u017e\u0101d\u0101m valst\u012bm, bet ir tapu\u0161as ar\u012b da\u017eas gr\u0101matz\u012bmes, kas velt\u012btas iest\u0101d\u0113m, piem\u0113ram, Siguldas Novadp\u0113tniec\u012bbas muzejam 1980. gad\u0101, R\u012bgas Sarkan\u0101 Krusta slimn\u012bcai 1982. gad\u0101 u.c.<\/p>\n\n\n\n

\n
\n
\"\"<\/a>
Gr\u0101matz\u012bme Siguldas novadp\u0113tniec\u012bbas muzejam, 1980. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Gr\u0101matz\u012bme R\u012bgas Sarkan\u0101 krusta slimn\u012bcai, 1982. gads. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Latvijas PSR m\u0101kslinieku gr\u0101matz\u012bmju izst\u0101d\u0113s P. Up\u012btis vienm\u0113r piedal\u012bjies ar diezgan lielu vai pat liel\u0101ko skaitu gr\u0101matz\u012bmju. Parasti no 20 \u2013 50 gr\u0101matz\u012bm\u0113m (izst\u0101d\u0113s no 1967. gada l\u012bdz 1985. gadam). Person\u0101lizst\u0101d\u0113 Valmieras novadp\u0113tniec\u012bbas muzej\u0101 1979. gad\u0101 P. Up\u012btis ekspon\u0113jis 126 gr\u0101matz\u012bmes.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a>
Latvijas PSR m\u0101kslinieku 1969. gada gr\u0101matz\u012bmju izst\u0101des katalogs. Titullap\u0101 P. Up\u012b\u0161a ekslibris. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Latvijas PSR m\u0101kslinieku 1971. gada gr\u0101matz\u012bmju izst\u0101des katalogs. Titullap\u0101 P. Up\u012b\u0161a ekslibris. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Latvijas PSR m\u0101kslinieku 1979. gada ekslibru izst\u0101des katalogs. Titullap\u0101 P. Up\u012b\u0161a ekslibris. Avots: LNA_LVA_F1839.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

            <\/p>\n\n\n\n

L\u012bdztekus gr\u0101matz\u012bmju darin\u0101\u0161anai, P. Up\u012btis nodarbojies ar\u012b ar gr\u0101matz\u012bmju kolekcion\u0113\u0161anu gan no Latvijas, gan visas pasaules.<\/p>\n\n\n\n

1953. gad\u0101 dibin\u0101t\u0101 starptautisk\u0101 organiz\u0101cija Federation Internationale des Societes d\u2019Amateurs d\u2019Ex Libris (FISAE)<\/em>, kas apvieno gan tos, kas kr\u0101j gr\u0101matz\u012bmes, gan tos, kas t\u0101s izgatavo, ir izstr\u0101d\u0101jusi starptautiskos standartus gr\u0101matz\u012bmju iedal\u012bjumam, kas pal\u012bdz kolekcion\u0101riem noteikt darba tehniku, \u0161ie kodi parasti ar z\u012bmuli uzrakst\u012bti gr\u0101matz\u012bmes aizmugur\u0113. P. Up\u012b\u0161a gr\u0101matz\u012bm\u0113s sastopamie:<\/p>\n\n\n\n

X1 – kokgriezums<\/p>\n\n\n\n

X2 \u2013 kokgrebums<\/p>\n\n\n\n

X3 – linogriezums<\/p>\n\n\n\n

Opus – lat\u012b\u0146u val. darbs<\/em>, kop\u0101 ar numuru nor\u0101da uz m\u0101kslas darbu hronolo\u0123isko sec\u012bbu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Grafikas darbi, ar kuriem P. Up\u012btis guvis pla\u0161u atzin\u012bbu gan Latvij\u0101, gan starptautiski ir mazform\u0101ta darin\u0101jumi – gr\u0101matz\u012bmes. Gr\u0101matz\u012bme jeb ekslibris  – no lat\u012b\u0146u j\u0113dziena \u201dex libris\u201d \u2013 \u201dno gr\u0101mat\u0101m\u201d ir neliela form\u0101ta m\u0101ksliniecisks darbs, kas parasti veidots k\u0101d\u0101 no grafikas iespiedtehnik\u0101m un bie\u017ei tiek iel\u012bm\u0113ts gr\u0101matas iek\u0161pus\u0113 uz v\u0101ka vai titullapas un ir gan … <\/p>\n

Read more “Darin\u0101t\u0101s gr\u0101matz\u012bmes”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":210,"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":956,"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/pages\/44\/revisions\/956"}],"wp:attachment":[{"href":"https:\/\/www.archiv.org.lv\/upitis\/index.php\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}